Futures Subscription


What could the future look like?


Radix Media is proud to present Futures: A Science Fiction Series.

This chapbook series explores critical contemporary issues in an imagined future. You’ll find stories about climate change, dystopian politics, animal uprisings, interpersonal relationships, reinvention of the self, and more.

Purchasing this subscription gets you all seven chapbooks that will publish between now and October 2019, plus a few goodies that you won’t find anywhere else. Chapbooks will be sent out monthly as they are published.

What People Are Saying

Always Blue

“John Dermot Woods’ eye discerns detail the rest of the world is blind to; his ear picks up frequencies that most of us can’t hear. His deep reverence for and attention to the precise moment, exactingly rendered, comes through in both his language and his drawings. I always feel slightly spellbound when I encounter Woods’s work, like I’m somewhere both entirely familiar and entirely new. Part campus tale, part speculative fiction, Always Blue is funny and harrowing, a sustained, memorable glimpse into an ego—and a society—on the brink.” —Kristen Iskandrian, author of Motherest

Some say the world will end in fire, some say in ice, but Woods understands it’s more likely to end in endless departmental meetings and endlessly-calibrated politeness. Always Blue is a cool-headed look at the future that none of us want but that we may well deserve. A subtle and satirical tale underlaid with an all-too-real grimness.” —Brian Evenson, author of The Open Curtain

Guava Summer

“Dropped into an authoritarian future, Vera Kurian’s story swiftly had me identifying with the unnamed author and their struggles with hiding an illegal android, and navigating the liminal space between the ‘illegal’ that is necessary for survival and the ‘illegal’ that truly is sedition.” —Josh MacPhee, member of Justseeds Artists’ Cooperative and co-founder of Interference Archive


Muri is the rare story that perfectly encapsulates itself in metaphor and message. Suffused with dread, and hiding nothing of its consequences, Shelby still manages to pull the reader along, to lull them into the obvious lesson, only to reveal that the true moral is greater and more menacing than what has been imagined. Reading Muri is like being taught how to swim in the ocean, and to be fooled into thinking all you have to fear are the waves.” —Eric Shonkwiler, author of Above All Men.

“Using Herman Melville’s Benito Cereno as backdrop, Shelby reimagines the classic tale of madness, isolation, and revolution for the modern age. With the detailed urgency that would appeal to readers of Margaret Atwood, Allegra Hyde, or Jeff VanderMeer, Shelby’s seminal work confronts head-on the myriad attitudes toward climate change and all the hope and despair at the very heart of ‘the Impact,’ tightly wrapped in brisk, energetic lyricism. Timely, accessible, and precise, this ticking timebomb of a story will wrack you from page one, and will leave you commandeering a line from the book to describe Shelby, herself: that she is the “Paul Revere of Impact,’ riding forward to warn you to wake the hell up before the lantern goes out.” —Leah Angstman, editor-in-chief of Alternating Current Press and The Coil, and editor of Undeniable: Writers Respond to Climate Change

Hard Mother, Spider Mother, Soft Mother

“In this unexpected sci-fi tale, set in a not-too-futuristic surveillance state, Hal Y. Zhang renders Chinese mother-daughter relationships with tenderness and empathy. Come for the brain-eating fungal infections, stay for the insights on generational losses and memory.” —Ling Ma, author of Severance

What You Call

What You Call is an empathetic exploration of what it means to care for another person, told from the outside of humanity looking in. germ lynn’s writing is pithy and immediate, whether its form is a transmission from a cyborg or a conversation around a campfire.” —Tenacity Plys, Contributing Editor of Queerly Reads

“This chapbook is an ode to the fallen and the fallen world; at once redemptive and bleak, hopeful and fearful, like returning home after a long time away to see everything changed. Lynn disarms with a body of difficult questions, and invites you to accept fracture, to find humanity in corruption, redemption in grief. How much damage to yourself would you be willing to take, refusing to let go of what is lost?” —Daniel Warner, author of Shadow Work

“A document of obsessive love cut with oblique meditations on ability, on post-human bodies, and on the emotional afterlife of obsolete labor: Germ Lynn has written a very sad and very recommended postcard from a future that’s coming.” —Jeanne Thornton, author of The Dream of Doctor Bantam and The Black Emerald


Futures: A Science Fiction Series utilizes the chapbook format—a saddle-stitched pamphlet—as a vehicle to explore the stories more fully. Whereas the first project in our publishing program was an anthology, collecting a variety of stories into a single book, this format is more intimate. The chapbooks are thinner and lighter, and when you turn the final page, your journey with that individual story is complete.

Through this format, the reader is more immersed in the stories themselves. We believe that good science fiction reflects the dreams and nightmares of the present day. By exploring the issues contained in these stories, we hope that the reader gains a better understanding of our world today so that they can build the future they want to see.

The Production

We know that good design can take beautiful words to the next level, that’s why we design and print all of our titles in-house. This gives us much more control over the process and allows us to create a more cohesive final product. We strive to make each book an object that is enjoyable to hold and look at, in addition to bringing the reader great content.

Each title in the Futures Science Fiction series will have offset printed interiors, and a two-color letterpress printed cover.

The Titles

Futures is comprised of seven stories that will publish between April and October 2019 as listed below. Check this page periodically for updates as they become available!

Always Blue by John Dermot Woods (April 2019)

Guava Summer by Vera Kurian (May 2019)

Muri by Ashley Shelby (June 2019)

Hard Mother, Spider Mother, Soft Mother by Hal Y. Zhang (July 2019)

What You Call by Germ Lynn (August 2019)

A Point of Honor by Aeryn Rudel (September 2019)

Milo (01001101 01101001 01101100 01101111) by Alexander Pyles (October 2019)

Additional information

Weight 1 lbs
Dimensions 8.5 × 5.5 × 1 in

5" x 8"




Saddle-Stitched Chapbook




April-October 2019